
Martial arts that is faster than the mind can follow and as vividly colorful as streaming rainbows is Zhang Yimou’s film Hero, an exciting historical Chinese tale that takes our eyes where they are unaccustomed. With a cast (Jet Li and Zhang Ziyi) and genre (action-adventure) recognized and enjoyed by world audiences, Hero achieves great success overcoming its enormous production costs of around $30 million.
The plot takes place in ancient China during the reign of Qin dynasty in its conquest of the six kingdoms in order to unite all cultures into one empire. Nameless (Jet Li), a prefect of a small jurisdiction, earns an audience with the King of Qin’s palace to tell his tale of how he defeated three of the King’s most feared assassins. However, all is not as it seems. The movie takes an interesting approach by unveiling Nameless’ tale through his and the King’s perspective revealing Nameless’ true intentions of why he is killing assassins to be within ten paces of the King. This type of flashback method is popularly known in the film industry as “Rashomon”, and it is effective in presenting mutually contradictory points of view.
During the unfolding tales, a pallet of four colors (blue, white, green, red), one per scenario, accentuates mood and beauty that is shared with the fluid movements of the actors and cameras. Apart from the mesmerizing aesthetics, the film did not strike the right moral chord as the plot suggests that it is a virtuous deed for a King to massacre millions of people for a greater good, “unification”. That would be like saying it would be acceptable for the United States to conquer the entire world to become one country, where everyone has to identify themselves as one nation and inherit US’s ideals and customs.
Overall, Hero is pleasing to the eyes, but it could use some plot reshaping, which director Zhang Yimou learned to do in his next film House of Flying Daggers.
-Joshua Lee